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"Playing with Poetic Voice: How to Discover Your Own Voice by Borrowing from Your Favorite Poets" with Tomás Q. Morín
4/29/2017 From 9:00 AM to 12:00 PM
$49 members (sign in for member pricing)
Before purchasing, please read all policies as noted below and on our Classes page.
Online registration has closed. Walk-up registrations will be available at the door with a check for the walk up rate - $59 for members and $119 for nonmembers - as long as seats are available. Thank you!
Location Note: This class is held in Moody Hall, Room 204. This is a different building from past years' classes at St. Edward's University. You can find a campus map here.
When searching for your poetic voice, it can be helpful to explore the many voices and styles that other poets have used successfully and made their own. By borrowing their style and voice, you give your own poetry a foundation to grow and evolve from until you arrive at your own distinctive voice and style.
This class draws upon the instructor's experience with his own poems, which have always ben mishmash of many other poets' styles.
This class will identify the hallmarks of the styles of a variety of poets. Students will then re-compose a poem of their own in the style of one of the poets discussed in class--and recompose it again using the style of a second poet, and so on. Once everyone has used the style of every poet, students will share what discoveries they’ve made about the needs of their stuck poems. So, students should bring:
- A poem or two that they have already written. (Don't worry if you don't like it. No one will be required to share their work.)
- A poem that they love (written by someone else). If time permits, students will rewrite (or write for the first time) one of their poems in the styles of poets of their own choosing.
If you're new to poetry and have no yet written any poems, you will be able to use the exercises to brainstorm new work during the class.
About the instructor:
Tomás Q. Morín’s poetry collection A Larger Country was the winner of the APR/Honickman Prize and runner-up for the PEN/Joyce Osterweil Award. He is co-editor with Mari L’Esperance of the anthology, Coming Close: 40 Essays on Philip Levine, and translator of The Heights of Macchu Picchu by Pablo Neruda. His poems have appeared in Slate, Threepenny Review, Boulevard, Poetry, New England Review, and Narrative. His latest collection, Patient Zero, is forthcoming this spring from Copper Canyon Press.
REGISTRATION BY MAIL: If your browser has difficulty with our website store, or if you prefer to mail in a check, click HEREfor a class registration form. The document provides instructions on where to mail it.
NOTE: Once a purchase has been made, tickets are not refundable and registration cannot be transferred to a different class or event. No exceptions will be made. If you purchase a ticket and then find you cannot attend, someone else can attend in your stead. Simply contact us at email@example.com or 512-499-8914 and let us know so that we can update the class roster. For policies, please visit our Classes page.
This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department. Visit Austin at NowPlayingAustin.com.
Writers' League of Texas classes and workshops are also funded in part by the Texas Commission on the Arts - Investing in a Creative Texas. For more information, go to www.arts.texas.gov.
The Writers' League of Texas would like to thank St. Edward's University for its generous support and commitment to community, ongoing education, and the arts. Visit www.stedwards.edu.